No se vayan todavía amigos, aún hay más!
I Am a Thief (Robert Florey, 1934)
I Am not Afraid (Crane Wilbur, 1939)
I Died a Thousand Times (Stuart Heisler, 1955)
El ídolo de barro (Champion, Mark Robson, 1949)
I, Jane Doe (John H. Auer, 1948)
Illegal (Lewis Allen, 1955)
Illegal Entry (Frederick de Cordova, 1949)
Illegal Trafic (Louis King, 1938)
I, Mobster (Roger Corman, 1959)
Impact (Arthur Lubin, 1949)
El imperio del terror (The Phenix City Story, Phil Karlson, 1955)
Impulso criminal (Compulsion, Richard Fleisher, 1958)
Incident (William Beaudine, 1948)
El infierno negro (Black Fury, Michael Curtiz, 1935)
Inside Detroit (Fred F. Sears, 1956)
Inside Job (Jean Yarbrough, 1946)
Inside the Walls of Folsom Prison (Crane Wilbur, 1951)
I, the Jury (Harry Essex, 1953)
El intrépido (Born Reckless, John Ford y Andrew Bennison, 1930)
Investigación criminal (Vice Squad, Arnold Laven, 1953)
The Invisible Menace (John Farrow, 1938)
Invisible Stripes (Lloyd Bacon, 1940)
I Promise to Pay (Ross Lederman, 1937)
Iron Man (Joseph Pevney, 1951)
Ivy (Sam Wood, 1947)
I Was a Communist for the F.B.I. (Gordon Douglas, 1951)
I Was Framed (Ross Lederman, 1942)
I Wouldn't Be in Your Shoes (William Nigh, 1948)
Jack el Destripador (The Lodger, John Brahm, 1944)
Jack Slade (Harold Schuster, 1953)
Jailbreak (Nick Grinde, 1936)
Jealousy (Roy William Neill, 1934)
Jennifer (Joel Lewton, 1953)
Jigsaw (Fletcher Markle, 1949)
Johnny Allegro (Ted Tetzlaff, 1949)
Johnny Angel (Edwin L. Marin, 1945)
Johnny Apollo (Henry Hathaway, 1940)
Johnny O'Clock (Robert Rossen, 1947)
Johnny Stool Pigeon (William Castle, 1949)
Juke Girl (Curtis Bernhardt, 1942)
La jungla de asfalto (The Asphalt Jungle, John Huston, 1950)
The Jury's Secret (Edward Sloman, 1937)
Justicia (Night Court, W.S. Van Dyke, 1932)
La justicia al acecho (Big House USA, Howard Koch, 1955)
El justiciero (Boomerang, Elia Kazan, 1947)
La juventud manda (This Day and Age, Cecil B. DeMille, 1933)Key Witness (D. Ross Lederman, 1947)
Kid Galahad (Michael Curtiz, 1937)
Killer's Kiss (Stanley Kubrick, 1955)
The Killer that Stalked New York (Earl McEvoy, 1951)
El kimono rojo (The Crimson Kimono, Sam Fuller, 1959)
Kind Lady (George B. Seitz, 1935)
King for a Night (Kurt Neumann, 1933)
King Lady (John Sturges, 1951)
King of Alcatraz (Robert Florey, 1938)
King of Chinatown (Nick Grinde, 1939)
King of Gamblers (Robert Florey, 1937)
King of the Underworld (Lewis Seiler, 1939)
King's Row (Sam Wood, 1941)
Ladies of the Jury (Lowell J. Sherman, 1932)
Ladies Love Danger (H. Bruce Humberstone, 1935)
Ladies' Man (Lothar Mendes, 1931)
Ladies They Talk About (William Keighley, 1933)
Lady for a Night (Leigh Jason, 1941)
The Lady from Nowhere (Gordon Wiles, 1936)
Lady Gangster (Robert Florey, 1942)
Lady in the Morgue (Otis Garrett, 1938)
Lady on a Train (Charles David, 1945)
Lady Scarface (Frank Woodruff, 1941)
The Lady Who Dared (William Beaudine, 1931)
A Lady Without Passport (Joseph H. Lewis, 1950)
Larceny, Inc. (Lloyd Bacon, 1942)
The Lancer Spy (Gregory Ratoff, 1937)
Larga es la noche (Odd man out, Carol Redd, 1947)
The Last Parade (Erle C. Kenton, 1931)
The Last Warning (Albert S. Rogell, 1938)
Laura (Laura, Otto Preminger, 1944)
The Law in Her Hands (William Clemens, 1936)
The Lawless (Joseph Losey, 1950)
League of Frightened Men (Alfred E. Green, 1937)
Let Us Live (John Brahm, 1939)
La ley del hampa (Underworld, Joseph von Sternberg, 1927)
La ley del hampa (The Rise and Fall of Legs Diamong, Budd Boetticher, 1960)
La ley del silencio (On the Waterfront, Elia Kazan, 1954)
La ley del Talión (The Mad Game, Irving Cummings, 1933)
A Life in the Balance (Harry Horner, 1955)
Ligeramente escarlata (Slightly Scarlet, Allan Dwan, 1955)
The Line-Up (Donald Siegel, 1958)
Llamad a cualquier puerta Knock on Any Door, Nicholas Ray, 1949)
La llave de cristal (The Glass Key, Frank Tuttle, 1935)
La llave de cristal (The Glass Key, Stuart Heisler, 1942)
Loan Shark (Seymour Friedman, 1952)
Loophole (Harold Schuster, 1954)
Love from a Stranger (Richard Whorf, 1947)
Love Letters of a Star (Lewis R. Foster, 1936)
Love is a Racket (William A. Wellman, 1932)
Lucky Jordan (Frank Tuttle, 1942)
Lucky Nick Cain (Joseph M. Newman, 1950)
Luisiana (Lady River, George B. Seitz, 1934)
La luz brilló dos veces (Lightning Strikes Twice, King Vidor, 1951)
Luz en el alma (Christmas Holiday, Robert Siodmak, 1944)
Luz que agoniza (Gaslight, George Cukor, 1944)
M (Joseph Losey, 1951)
Machine Gun Kelly (Roger Corman, 1958)
Mad at the World (Harry Essex, 1955)
The Mad Doctor (Tim Whelan, 1940)
The Mad Magician (John Brahm, 1954)
Mad Holiday (George B. Seitz, 1936)
The Mad Miss Manton (Leigh Jason, 1938)
Mandalay (Michael Curtiz, 1934)
Manhandled (Lewis R. Foster, 1949)
The Man I Love (Raoul Walsh, 1946)
Man in the Atic (Hugo Fregonese, 1953)
The Man in the Net (Michael Curtiz, 1959)
The Man Is Armed (Franklin Adreon, 1956)
Man of the People (Edwin L. Marin, 1937)
Manos culpables (Dance, Fools, Dance, W.S. van Dyke, 1931)
Manos peligrosas (Pick-Up on South Street, Sam Fuller, 1953)
Manpower (Raoul Walsh, 1941)
The Man with My Face (Edward J. Montagne, 1951)
The Man with Two Faces (Archie L. Mayo, 1934)
The Man Who Created Himself (Felix E. Feist, 1951)
The Man Who Talked too Much (Vincent Sherman, 1940)
Mara Maru (Gordon Douglas, 1952)
Marcado por el odio (Somebody Up There Likes Me, Robert Wise, 1956)
María Galante (Henry King, 1934)
Marked Woman (Lloyd Bacon, 1937)
Mark of the Whistler (William Castle, 1944)
Martes negro (Black Tuesday, Hugo Fregonese, 1955)
Más allá de la duda (Beyond a Reasonable Doubt, Fritz Lang, 1956)
Más allá del bosque (Beyond The Forest, King Vidor, 1949)
La máscara de Dimitrios (The Mask of Dimitrios, Jean Negulesco, 1944)
Más dura será la caída (The Harder They Fall, Mark Robson, 1956)
Más fuerte que la ley (Shockproof, Douglas Sirk, 1949)
The Mask of Dijon (Lew Landers, 1946)
Matando en la sombra (The Kennel Murder Case, Michael Curtiz, 1933)
Meet Nero Wolfe (Herbert Biberman, 1936)
The Menace (Roy William Neill, 1932)
Menace (Ralph Murphy, 1934)
Mentira latente (The Man of Her Own, Mitchell Leisen, 1950)
Men Without Names (Ralph Murphy, 1935)
Mercado de ladrones (Thieves' Highway, Jules Dassin, 1949)
El merodeador (The Prowler, Joseph Losey, 1951)
Miami Expose (Fred F. Sears, 1956)
The Miami Story (Fred F. Sears, 1954)
Midnight (Chester Erskine, 1934)
Midnight Court (Frank McDonald, 1937)
The Midnight Story (Joseph Pevney, 1957)
Midnight Taxi (Eugene Forde, 1937)
Mientras Nueva York duerme (While the City Sleeps, Fritz Lang, 1955)
Mil ojos tiene la noche (Night Has a Thousand Eyes, John Farrow, 1948)
El ministerio del miedo (Ministry of Fear, Fritz Lang, 1943)
Miss Pinkerton (Lloyd Bacon, 1932)
El misterio de Fiske Manor (Ladies in Retirement, Charles Vidor, 1941)
El misterio de una desconocida (Chicago Deadline, Lewis Allen, 1949)
Misterio en la noche (The Unseen, Lewis Allen, 1945)
Mr. Arkadin (Orson Welles, 1955)
The Mistery of Mr. X (Edgar Selwyn, 1934)
Monkey on my Back (André DeToth, 1957)
El monstruo de la ciudad (The Beast of the City, Charles Brabin, 1932)
Moontide (Archie L. Mayo, 1942)
Moss Rose (Gregory Ratoff, 1947)
Motorcycle Gang (Edward L. Cahn, 1957)
The Mouthpiece (James Flood, 1932)
Los muelles de Nueva York (The Docks of New York, Joseph von Sternberg, 1928)
Muero cada amanecer (Each Dawn I Die, William Keighley, 1939)
The Muggers (William Berke, 1958)
La mujer del cuadro (The Woman in the Window, Fritz Lang, 1944)
Mujer oculta (Woman in Hiding, Michael Gordon, 1950)
La mujer pantera (Cat People, Jacques Tourneur, 1942)
Murallas de silencio (One Way Street, Hugo Fregonese, 1950)
Murder by Contract (Irving Lerner, 1958)
Murder in Trinidad (Louis King, 1934)
Murder in the Big House (B. Reeves Eason, 1942)
Murder is My Beat (Edgard G. Ulmer, 1955)
The Murder Man (Tim Whelan, 1935)
The Murder of Dr. Harrigan (Frank McDonald, 1935)
Murder on the Blackboard (George Archainbaud, 1934)
Murder on the Waterfront (B. Reeves Eason, 1943)
The Murders in the Rue Morgue (Robert Florey, 1932)
Muro de tinieblas (The High Wall, Curtis Bernhardt, 1947)
Mutiny in th Big House (William Nigh, 1939)
My Gun Is Quick (George A. White, 1957)
My Name Is Julia Ross (Joseph H. Lewis, 1945)
My Six Convicts (Hugo Fregonese, 1952)
Mystery in Mexico (Robert Wise, 1948)
Mystery Street (John Sturges, 1950)
The Naked Alibi (Jerry Hooper, 1954)
The Naked Street (Maxwell Shane, 1954)
Nadie puede vencerme (The Set-Up, Robert Wise, 1949)
The Narrow Corner (Alfred E. Green, 1933)
The Narrow Margin (Richard Fleisher, 1952)
The Narrow Margin (Richard Thorpe, 1952) ?????
Never Love a Stranger (Robert Stevens, 1958)
News is Made at Night (Alfred Werker, 1939)
New York Confidential (Russell Rouse, 1955)
Niágara (Niagara, Henry Hathaway, 1953)
Nick Cater, Master Detective (Jacques Tourneur, 1939)
Niebla en el alma (Don't Bother to Knock, Roy Ward Baker, 1952)
Night Club Scandal (Ralph Murphy, 1937)
Night Editor (Henry Levin, 1946)
Nightfall (Jacques Tourneur, 1957)
The Night Holds the Terror (Andrew L. Stone, 1955)
The Night of June 13th (Stephen Roberts, 1932)
Nightmare (Maxwell Shane, 1956)
Night People (Nunnally Johnson, 1954)
The Night Runner (Abner Biberman, 1957)
Night without Sleep (Roy Ward Baker, 1952)
The Ninth Guest (Roy William Neill, 1934)
Nobody Lives Forever (Jean Negulesco, 1946)
La noche del cazador (The Night of the Hunter, Charles Laughton, 1955)
Noche en el alma (Moonrise, Frank Borzage, 1949)
Noche en el alma (Experiment Perilous, Jacques Tourneur, 1944)
Noche en la ciudad (Night and the City, Jules Dassin, 1950)
Noche eterna (The Long Night, Anatole Litvak, 1947)
Nocturne (Edwin L. Marin, 1946)
No estamos solos (We Are not Alone, Edmund Goulding, 1939)
No Hands of the Clock (Frank McDonald, 1941)
No Questions Asked (Harold F. Kress, 1951)
A Notorious Gentleman (Edward Laemmle, 1935)
Notorious Mr. Monks (Joseph Kane, 1958)
Nube de sangre (Edge of Doom, Mark Robson, 1950)
Odds Against Tomorrow (Robert Wise, 1949)
Odio entre hermanos (House of Strangers, Joseph Mankiewicz, 1949)
Off the Record (James Flood, 1939)
Once a Thief (W. Lee Wilder, 1950)
One Night at Susie's (John Francis Dillon, 1930)
On Trial (Terry Morse, 1939)
Operación Cicerón (Five Fingers, Joseph Mankiewicz, 1952)
Orden: caza sin cuartel (He Walked by Night, Alfred Werker, 1948)
The Other Woman (Hugo Haas, 1954)
Over-Exposed (Lewis Seiler, 1956)
Out of the Fog (Anatole Litvak, 1941)
Outside the Law (Jack Arnold, 1956)
Outside the Wall (Crane Wilbur, 1950)
Pacto tenebroso (Sleep, My Love, Douglas Sirk, 1955)
Pagada (Paid, Sam Wood, 1930)
Pánico en las calles (Panic in the Streets, Elia Kazan, 1950)
El parador del camino (Road House, Jean Negulesco, 1948)
Para ella un solo hombre (The Helen Morgan Story, Michael Curtiz, 1957)
Parole Fixer (Robert Florey, 1940)
Parole, Inc. (Alfred Zeisler, 1948)
Pasado tenebroso (Make Haste to Live, William Seiter, 1954)
Pasaporte a la fama (The Whole Town's Talking, John Ford, 1935)
Pasión bajo la niebla (Ruby Gentry, King Vidor, 1952)
Pasión ciega (They Drive by Night, Raoul Walsh, 1940)
Pasión en la selva (The Macomber Affair, Zoltan Korda, 1947)
Paula (Framed, Richard Wallace, 1947)
Payment Deferred (Lothar Mendes, 1932)
Peligros de juventud (The Quicksand, Irving Pichel, 1950)
Penitentiary (John Brahm, 1938)
Pequeño gigante (Little Giant, Roy Del Ruth, 1933)
Perdición (Double Indemmnity, Billy Wilder, 1944)
Persecución en la noche (Ride the Pink Horse, Robert Montgomery, 1947)
Perseguida (Second Chance, Rudolph Maté, 1953)
Persons in Hiding (Louis King, 1939)
Perversidad (Scarlet Street, Fritz Lang, 1945)
Pesadilla (The Strange Affair of Uncle Harry, Robert Siodmak, 1945)
Pete Kelly's Blues (Jack Webb, 1955)
Phantom of Crestwood (J. Walter Ruben, 1932)
Philo Vance's Gamble (Basil Wrangell, 1947)
Pitfall (André De Toth, 1948)
Playgirl (Joseph Pevney, 1954)
Please Murder Me (Peter Godfrey, 1956)
Plunder of the Sun (John Farrow, 1953)
Plunder Road (Hubert Cornfield, 1957)
El poder del mal (Force of Evil, Abraham Polonsky, 1948)
El poder invisible (The Mob, Robert Parrish, 1951)
El político (All the King's Men, Robert Rossen, 1949)
Por el mal camino (The Mayor of Hell, Archie L. Mayo, 1933)
Power of the Whistler (Lew Landers, 1945)
El presidio (Big House, George Hill, 1931)
The Pretender (W. Lee Wilder, 1947)
The Price of Fear (Abner Biberman, 1956)
Prisionero de su traición (Rogue Cop, Roy Rowland, 1954)
Private Hell 36 (Don Siegel, 1954)
El proceso Paradine (The Paradine Process, Alfred Hitchcock, 1947)
Public Enemy's Wife (Nick Grinde, 1936)
Public Hero Number One (J. Walter Ruben, 1935)
Puerto de Nueva York (Port of New York, Laslo Benedek, 1949)
Punto de ruptura (The Breaking Point, Michael Curtiz, 1950)
The Purple Gang (Frank McDonald, 1959)
Pursuit (Edwin L. Marin, 1935)
Que el cielo la juzgue (Leave Her to Heaven, John M. Stahl, 1945)
Queen Bee (Roland MacDougall, 1955)
Queen of the Mob (James Hogan, 1940)
¿Qué hay, Nellie? (Hi, Nellie, Mervyn LeRoy, 1934)
Quick Millions (Rowland Brown, 1931)
¿Quién mató a Vicki? (I Wake Up Screaming, H. Bruce Humberstone, 1942)
¡Quiero vivir! (I Want to Live, Richard Wise, 1958)
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