Kiss 'Sonic Boom' Portada y track list

Recuerdo del primer mensaje :



Muy buena, en plan animé...

No se si podré esperarme a que salga para oirlo.
Intentaré hacer el esfuerzo.

La portada del moñaco...menudas risas !!!!

la portada no está tan mal joder. y el tema es cojonudo ¿cuando sale el disco?

caido en little big horn escribió:la portada no está tan mal joder. y el tema es cojonudo ¿cuando sale el disco?

6 octubre

https://fallenangelofrock.superforo.net/rock-zone-f1/discos-de-hoy-a-final-de-ano-t3165-105.htm#156453

Adolfo escribió:

caido en little big horn escribió:la portada no está tan mal joder. y el tema es cojonudo ¿cuando sale el disco?

6 octubre

https://fallenangelofrock.superforo.net/rock-zone-f1/discos-de-hoy-a-final-de-ano-t3165-105.htm#156453

ok, disco que cae fijo.

Pues la cancion no tiene mala pinta pero tampoco se puede valorar un albun por un sample,veremos que son capaces de ofrecernos.Ojala no defrauden..

La portada flojica.

Saludos.

Que cojones me importa la portada, lo que vale es lo que lleva dentro, un disco de Kiss es garantia segura¡¡¡¡¡¡

TYLA escribió:Que cojones me importa la portada, lo que vale es lo que lleva dentro, un disco de Kiss es garantia segura¡¡¡¡¡¡

Es que aquello ya es sabido por quienes amamos kiss, sólo que hablar de la portada le da un sabor extra al hilo

Pues que quereis que os diga a lo mejor de cualquier otro grupo me da un poco igual la portada, pero de una banda con portadas tan miticas como la de Destroyer, Rock and roll over; Dressed to kill, Love gun o Creatures of the night me esperaba algo mas currado e impactante.

Philo escribió:Pues que quereis que os diga a lo mejor de cualquier otro grupo me da un poco igual la portada, pero de una banda con portadas tan miticas como la de Destroyer, Rock and roll over; Dressed to kill, Love gun o Creatures of the night me esperaba algo mas currado e impactante.

pues yo cuanto más la miro más me gusta.

Ya está "Modern day deliah" enterita en su web

www.kissonline.com

La verdad es que me ha gustado bastante, aunque no me ha sonado tanto a kiss . El riff me parece más propio de un grupo como Glyder, pero aún no me apedreéis por lo que digo, por favor

Yo le veo una mezcla perfecta de la época "Revenge" o "Lick it up" con algo de los setenta.
Esto va a vender como churros.

Adolfo escribió:Yo le veo una mezcla perfecta de la época "Revenge" o "Lick it up" con algo de los setenta.
Esto va a vender como churros.

desde luego están de puta madre.

Adolfo escribió:Yo le veo una mezcla perfecta de la época "Revenge" o "Lick it up" con algo de los setenta.
Esto va a vender como churros.

Me mola mucho el tema, pero te veo demasiado optimista con los de las ventas Adolfo...

Philo escribió:

Adolfo escribió:Yo le veo una mezcla perfecta de la época "Revenge" o "Lick it up" con algo de los setenta.
Esto va a vender como churros.

Me mola mucho el tema, pero te veo demasiado optimista con los de las ventas Adolfo...

Yo creo que Gene Simmons para meterse en esta aventura lo tiene que tener muy claro. Es sabido que no quería publicar música nueva pero el venderlo barato en Wal-Mart siendo triple le ha convencido. Creo que van a poner en las tiendas Wal-Mart stands especiales de Kiss con las cajas, camisetas, merchandise, etc...
Yo creo que facilmente superará el Platino (1 millón) y con un poco de suerte podría ser su primer nº1.
En Blabbermouth las opiniones están siendo muy positivas incluso en gente que ya no daban un centavo por ellos.
Me da buen karma este nuevo disco.

Me ha gustado pero tampoco lo veo una exageracion de tema.Pero vamos que si el disco va en esta onda no estara mal ni mucho menos.

Saludos.

Adolfo escribió:

Philo escribió:

Adolfo escribió:Yo le veo una mezcla perfecta de la época "Revenge" o "Lick it up" con algo de los setenta.
Esto va a vender como churros.

Me mola mucho el tema, pero te veo demasiado optimista con los de las ventas Adolfo...

Yo creo que Gene Simmons para meterse en esta aventura lo tiene que tener muy claro. Es sabido que no quería publicar música nueva pero el venderlo barato en Wal-Mart siendo triple le ha convencido. Creo que van a poner en las tiendas Wal-Mart stands especiales de Kiss con las cajas, camisetas, merchandise, etc...
Yo creo que facilmente superará el Platino (1 millón) y con un poco de suerte podría ser su primer nº1.
En Blabbermouth las opiniones están siendo muy positivas incluso en gente que ya no daban un centavo por ellos.
Me da buen karma este nuevo disco.

Ojala estes en lo cierto...

El tema suena bien, creo que intenta rescatar algo el espíritu setentero. A ver que tal el disco entero.

Review completa en inglés:

http://thequietus.com/articles/02534-kiss-new-album-sonic-boom-track-by-track-album-review

Modern Day Delilah

Given the eleven years since their last barely passable studio album – 1998's Psycho Circus
it seemed unlikely that Kiss would ever release another album of new
material. Seemingly invigorated by a huge recent upsurge in interest in
their hefty back catalogue by the younger generation of rock listeners
into the studio they went, and six weeks later emerged armed with Sonic Boom.
However, we didn't expect them to knock one out of the park this early
with this heaving, sweating lump of fabulous groove straight from 1975.
"Yeah yeah" are the first words to exit Stanley's mouth and immediately
our ears are pricked to what is not stylistically a typical Kiss track,
a circular, bass heavy riff driving everything along. The net result is
your immediate desire to renew that direct debit to the' Kiss army'
while arranging to graft eight or more inches of surplus off your
backside on to your tongue—it really is that good.

Russian Roulette

The first of Gene Simmons's vocal contributions and as they go, this
isn't at all bad. In fact the years have been pretty kind to the 'god
of thunder', and his voice has actually developed more than a semblance
of melody. It's raw, punchy and lyrically the usual innuendo ridden
stuff "this is Russian roulette—one pull of the trigger is all you're
gonna get" etc, which we've heard often before but here's it's done
with a freshness of attitude that's been absent for a long, long time.

Never Enough

Classic Kiss and this could easily fit into their live set without
being noticed as a brand new track. Paul Stanley seems to have done
some kind of 'Benjamin Button' reverse ageing thing with his vocals
because he sounds every bit as energetic as he did back in their 70's
heyday. Tommy Thayer too has slotted in nicely as an Ace Frehley
replacement but without all the 'space' and its associated discordant
rambling solos. This is obvious single material, if such things exist
anymore, and is Kiss at their best. They've remarkably managed to
summon the best attributes of their past without sounding dated, while
at the same time making it all sound relevant to now—brilliant.

Yes I know (Nobody's Perfect)

Simmons's rumbling bass drives this fairly standard Kiss number
along in a way that it hasn't for years (apparently he was really
motivated in the studio) Not just that, he sings too, and tunefully
does it. Chunky and not overly overdriven guitar combined with that
satisfying emphasis on bass give this a solid feel with some more
good-time, tail chasing lyrics, as you'd expect...

Stand

This one will completely divide opinions. Initially a straight-ahead
rocker in the vein of the classic 'Strutter' which at no time threatens
to dissolve into a 'Crazy Nights' or 'God gave Rock 'n' Roll To You'
type anthem; until it does exactly that with a cheesy, cheesy chorus
which no other band on the planet would get away with. Not content with
that, it even dives into a multi-vocal layered mid section before
returning to the huge stadium rock chorus which you could imagine
appearing in some awful teen movie. Though it works, it's probably one
of the lone stray chunks of rock 'n' roll fromage on here and probably
the closest relative to some of their late 80s and early 90s howlers.

Hot And Cold

Cowbell-accented drums and more classroom innuendo punctuate this
chunk of typical Kiss fodder (think 'Calling Dr Love'). It all sounds
very live and not in any way over-produced (seemingly no Pro-Tools were
used anywhere on the record). "Baby feel my tower of power" should give
you some idea of what Gene's referring to and the song's easily good
enough to forgive him such childishly dated folly.

All For The Glory

Drummer Eric Singer, who has assuredly hammered out rock-solid
backing thus far, lends a hand on vocal duties with fabulous result.
This is absolutely solid gold stuff reminiscent of Destroyer era Kiss, but with the nastier edge of later incarnations like Creatures of the Night. Tommy's solo is absolutely killer too - what talent he's brought to the band.

Danger Us

"Danger you, danger me, danger us!"— terrible, terrible lyrics but
again the track bails itself out of the mire in grand style. Starting
with a quietly picked guitar intro before fading satisfyingly (why do
bands not fade-in much these days?) Aerosmith like riff and Stanley's
most effective vocal outing on the record. You get the impression that
they're all really enjoying this stuff and again Simmons's sonorous
bass rumble is very much in evidence, aidded by Stanley's own
intentionally Spartan studio production.

I'm An Animal

A huge, lumbering riff of Zeppelin-esque ('Dazed and Confused'
springs to mind) proportions and another Simmons vocal characterise
this beast of a track bristling with stalker menace. Similar in nature
to let's say 'War Machine' off Creatures of the Night it
stomps emphatically all over some of the tedious filler of recent
albums. "I'm an animal, and I'm free" Gene divulges, and who the hell
are we to argue. This is fast becoming Simmons's showpiece and surely
his richest vein of contribution in their history.

When Lightning Strikes

'Musical singers' continues with guitarist Tommy Thayer wrestling
control of the mic this time around. He in no way disappoints, dialling
in a pretty effective vocal effort that many more established singers
would die for. More cowbells and a riff that's been done before give
way to a straight-forward bridge/chorus. The closest you'd get to
'stock' material but in the context of the quality of the album
generally that's probably being overly critical.

Say Yeah

When we expect filler we get utter killer, and if you're not singing
this in the car or the bath you've no business whatsoever reading this
review. Again, Stanley's vocals are a revelation – wielding an insanely
addictive hook reminiscent of 'Tears are Falling' from the Asylum
era but much, much better. Thayer's solo is brilliant too and resembles
a lot of the stuff Bruce Kulick (surely their most underrated axe-man)
came up with; fitting the song brilliantly and carrying no excess fret
flab whatsoever. The Kiss of 2009 have left the building, and what a
way to sign off...

Está chulo el tema, me ha gustado

nuevo tema

a mi me a gustao mucho el solo de thayer un tema para mi muy kiss pero esperemos al resultao del disco entero ! esas letras de sonic boom me recuerdan a la serie batman de los 70 jejeeej

El tema esta bien a ver que tal el resto ,tiene pinta de poder ser un buen album

recupero el hilo porque hat samples de todo el disco, aunque son cortitas...