bestial q solo ubieran unos videos puestos!!
esta SUPER BANDA se merece un post por cada discazo q icieron!!
http://www.canadianbands.com/Toronto.html
Albums
Lookin' for Trouble (1980) as Toronto
Head On (1981) as Toronto
Get It on Credit (1982) as Toronto
Girls' Night Out (1983) as Toronto
Greatest Hits (1984) as Toronto
Assault & Flattery (1984) as Holly Woods & Toronto
Live It Up! (2007) as Holly Woods
Singles
1980 - "Even the Score" [CAN No. 44] [CHUM No. 14] [US No. 104]
1980 - "5035"
1980 - "Lookin' For Trouble"
1980 - "Still Talkin' 'Bout Love"
1981 - "Silver Screen"
1981 - "Enough Is Enough"
1982 - "Your Daddy Don't Know" [CAN No. 5] [CHUM No. 2] [US No. 77]
1982 - "Start Tellin' the Truth" [CAN No. 15] [CHUM No. 4]
1982 - "Don't Walk Away"
1982 - "Get It On Credit"
1983 - "Girls Night Out" [CAN No. 14] [CHUM No. 19]
1983 - "All I Need" [CAN No. 38] [CHUM No. 25]
1984 - "Ready to Make Up" [CAN No. 33] [CHUM No. 23]
1984 - "New Romance" [CAN No. 26] [CHUM No. 20]
http://www.heavyharmonies.com/cgi-bin/band.cgi?BandNum=1377
http://rateyourmusic.com/release/album/toronto/lookin_for_trouble_f1/
TORONTO - 1983 - Girls night out
TORONTO - 1982 - Get it on credit
TORONTO - Head On (1981)
01. Head On
02. Silver Screen
03. Still Talkin' 'bout Love
04. Someone Will Play The Blues
05. It Comes From You
06. Enough Is Enough
07. Master of Disguise
08. Blackmail
09. Come In A Flash
A significant force on the 80s Canadian Rock scene. TORONTO, distinctively fronted by the double edged female team of vocalist Holly Woods and guitarist Sheron Alton, scored an impressive tally of hit singles in their homeland. Following the break up of the band in 1985 Woods and guitarist Brian Allen would land a huge global hit single courtesy of HEART who covered their co-written smash 'What About Love'.
The band had been created in 1979 by the union of former ROSE members guitarist Brian Allen and drummer Jim Fox with singer Annie 'Holly' Woods and CENTAURUS bassist Nick Costello. The final ROSE album 'Judgment Day' had featured Woods as a guest vocalist on the track 'Johnny Law'.
TORONTO's 1980 debut, titled 'Lookin' For Trouble' in Canada but issued in America simply as 'Toronto', produced by the CHILLIWACK duo of Brian Henderson and Brian McLeod, included a cover version of 'You Better Run', for which both KISS drummer PETER CRISS and much more significantly PAT BENATAR issued versions of the very same year. Overall the album made a keen impression on Rock fans with Woods gritty vocal delivery coming in for particular praise.
The sophomore 1981 release 'Head On' was produced by Terry Brown and provided the launch platform the Gold single 'Enough Is Enough'. For their third effort 'Get It On Credit' TORONTO shifted direction into more of an Electronic Pop Rock vein. The album would signal the involvement of another new recruit- ex ROSE bassist and keyboard player Gary Lalonde.
Another shift in personnel would be evident on the 1983 outing 'Girls Night Out' an all new rhythm section of ex NIGHTWINDS and MAX WEBSTER bassist Mike Gingrich and drummer Barry Conners was employed. The band's final 1985 outing 'Assault And Flattery' would employ Woods as virtually a solo artist. The band on this occasion comprised of Kreyer, Gingrich, guitarist Marty Walsh and drummer Paul Hanna.
Lalonde would later come to prominence with HONEYMOON SUITE. Brian Allen would join Attic Records as an A&R executive. TORONTO attempted a reunion tour in 1997 but the effort was short lived.
TORONTO - Lookin' For Trouble (1980)
01. Even The Score
02. You Better Run
03. 5035
04. Get Your Hands Off Me
05. Do Watcha: Be Watcha
06. Tie Me Down
07. Don't Stop Me
08. Lookin' For Trouble
09. Delirious
10. Shot Down
11. let's Spend The Night Together
A significant force on the 80s Canadian Rock scene. TORONTO, distinctively fronted by the double edged female team of vocalist Holly Woods and guitarist Sheron Alton, scored an impressive tally of hit singles in their homeland. Following the break up of the band in 1985 Woods and guitarist Brian Allen would land a huge global hit single courtesy of HEART who covered their co-written smash 'What About Love'.
The band had been created in 1979 by the union of former ROSE members guitarist Brian Allen and drummer Jim Fox with singer Annie 'Holly' Woods and CENTAURUS bassist Nick Costello. The final ROSE album 'Judgment Day' had featured Woods as a guest vocalist on the track 'Johnny Law'.
TORONTO's 1980 debut, titled 'Lookin' For Trouble' in Canada but issued in America simply as 'Toronto', produced by the CHILLIWACK duo of Brian Henderson and Brian McLeod, included a cover version of 'You Better Run', for which both KISS drummer PETER CRISS and much more significantly PAT BENATAR issued versions of the very same year. Overall the album made a keen impression on Rock fans with Woods gritty vocal delivery coming in for particular praise.
The sophomore 1981 release 'Head On' was produced by Terry Brown and provided the launch platform the Gold single 'Enough Is Enough'. For their third effort 'Get It On Credit' TORONTO shifted direction into more of an Electronic Pop Rock vein. The album would signal the involvement of another new recruit- ex ROSE bassist and keyboard player Gary Lalonde.
Another shift in personnel would be evident on the 1983 outing 'Girls Night Out' an all new rhythm section of ex NIGHTWINDS and MAX WEBSTER bassist Mike Gingrich and drummer Barry Conners was employed. The band's final 1985 outing 'Assault And Flattery' would employ Woods as virtually a solo artist. The band on this occasion comprised of Kreyer, Gingrich, guitarist Marty Walsh and drummer Paul Hanna.
Lalonde would later come to prominence with HONEYMOON SUITE. Brian Allen would join Attic Records as an A&R executive. TORONTO attempted a reunion tour in 1997 but the effort was short lived.
esta SUPER BANDA se merece un post por cada discazo q icieron!!
http://www.canadianbands.com/Toronto.html
Albums
Lookin' for Trouble (1980) as Toronto
Head On (1981) as Toronto
Get It on Credit (1982) as Toronto
Girls' Night Out (1983) as Toronto
Greatest Hits (1984) as Toronto
Assault & Flattery (1984) as Holly Woods & Toronto
Live It Up! (2007) as Holly Woods
Singles
1980 - "Even the Score" [CAN No. 44] [CHUM No. 14] [US No. 104]
1980 - "5035"
1980 - "Lookin' For Trouble"
1980 - "Still Talkin' 'Bout Love"
1981 - "Silver Screen"
1981 - "Enough Is Enough"
1982 - "Your Daddy Don't Know" [CAN No. 5] [CHUM No. 2] [US No. 77]
1982 - "Start Tellin' the Truth" [CAN No. 15] [CHUM No. 4]
1982 - "Don't Walk Away"
1982 - "Get It On Credit"
1983 - "Girls Night Out" [CAN No. 14] [CHUM No. 19]
1983 - "All I Need" [CAN No. 38] [CHUM No. 25]
1984 - "Ready to Make Up" [CAN No. 33] [CHUM No. 23]
1984 - "New Romance" [CAN No. 26] [CHUM No. 20]
http://www.heavyharmonies.com/cgi-bin/band.cgi?BandNum=1377
http://rateyourmusic.com/release/album/toronto/lookin_for_trouble_f1/
TORONTO - 1983 - Girls night out
TORONTO - 1982 - Get it on credit
TORONTO - Head On (1981)
01. Head On
02. Silver Screen
03. Still Talkin' 'bout Love
04. Someone Will Play The Blues
05. It Comes From You
06. Enough Is Enough
07. Master of Disguise
08. Blackmail
09. Come In A Flash
A significant force on the 80s Canadian Rock scene. TORONTO, distinctively fronted by the double edged female team of vocalist Holly Woods and guitarist Sheron Alton, scored an impressive tally of hit singles in their homeland. Following the break up of the band in 1985 Woods and guitarist Brian Allen would land a huge global hit single courtesy of HEART who covered their co-written smash 'What About Love'.
The band had been created in 1979 by the union of former ROSE members guitarist Brian Allen and drummer Jim Fox with singer Annie 'Holly' Woods and CENTAURUS bassist Nick Costello. The final ROSE album 'Judgment Day' had featured Woods as a guest vocalist on the track 'Johnny Law'.
TORONTO's 1980 debut, titled 'Lookin' For Trouble' in Canada but issued in America simply as 'Toronto', produced by the CHILLIWACK duo of Brian Henderson and Brian McLeod, included a cover version of 'You Better Run', for which both KISS drummer PETER CRISS and much more significantly PAT BENATAR issued versions of the very same year. Overall the album made a keen impression on Rock fans with Woods gritty vocal delivery coming in for particular praise.
The sophomore 1981 release 'Head On' was produced by Terry Brown and provided the launch platform the Gold single 'Enough Is Enough'. For their third effort 'Get It On Credit' TORONTO shifted direction into more of an Electronic Pop Rock vein. The album would signal the involvement of another new recruit- ex ROSE bassist and keyboard player Gary Lalonde.
Another shift in personnel would be evident on the 1983 outing 'Girls Night Out' an all new rhythm section of ex NIGHTWINDS and MAX WEBSTER bassist Mike Gingrich and drummer Barry Conners was employed. The band's final 1985 outing 'Assault And Flattery' would employ Woods as virtually a solo artist. The band on this occasion comprised of Kreyer, Gingrich, guitarist Marty Walsh and drummer Paul Hanna.
Lalonde would later come to prominence with HONEYMOON SUITE. Brian Allen would join Attic Records as an A&R executive. TORONTO attempted a reunion tour in 1997 but the effort was short lived.
TORONTO - Lookin' For Trouble (1980)
01. Even The Score
02. You Better Run
03. 5035
04. Get Your Hands Off Me
05. Do Watcha: Be Watcha
06. Tie Me Down
07. Don't Stop Me
08. Lookin' For Trouble
09. Delirious
10. Shot Down
11. let's Spend The Night Together
A significant force on the 80s Canadian Rock scene. TORONTO, distinctively fronted by the double edged female team of vocalist Holly Woods and guitarist Sheron Alton, scored an impressive tally of hit singles in their homeland. Following the break up of the band in 1985 Woods and guitarist Brian Allen would land a huge global hit single courtesy of HEART who covered their co-written smash 'What About Love'.
The band had been created in 1979 by the union of former ROSE members guitarist Brian Allen and drummer Jim Fox with singer Annie 'Holly' Woods and CENTAURUS bassist Nick Costello. The final ROSE album 'Judgment Day' had featured Woods as a guest vocalist on the track 'Johnny Law'.
TORONTO's 1980 debut, titled 'Lookin' For Trouble' in Canada but issued in America simply as 'Toronto', produced by the CHILLIWACK duo of Brian Henderson and Brian McLeod, included a cover version of 'You Better Run', for which both KISS drummer PETER CRISS and much more significantly PAT BENATAR issued versions of the very same year. Overall the album made a keen impression on Rock fans with Woods gritty vocal delivery coming in for particular praise.
The sophomore 1981 release 'Head On' was produced by Terry Brown and provided the launch platform the Gold single 'Enough Is Enough'. For their third effort 'Get It On Credit' TORONTO shifted direction into more of an Electronic Pop Rock vein. The album would signal the involvement of another new recruit- ex ROSE bassist and keyboard player Gary Lalonde.
Another shift in personnel would be evident on the 1983 outing 'Girls Night Out' an all new rhythm section of ex NIGHTWINDS and MAX WEBSTER bassist Mike Gingrich and drummer Barry Conners was employed. The band's final 1985 outing 'Assault And Flattery' would employ Woods as virtually a solo artist. The band on this occasion comprised of Kreyer, Gingrich, guitarist Marty Walsh and drummer Paul Hanna.
Lalonde would later come to prominence with HONEYMOON SUITE. Brian Allen would join Attic Records as an A&R executive. TORONTO attempted a reunion tour in 1997 but the effort was short lived.
Pero bueno la compra no resultó para nada desaprovechable aunque cierto es que no es un disco que yo recomendaría, bueno ahora que sale todo gratis quizás si y es que por que por lo menos en ese y si te va el rollo Pat Benatar inicios... 3 o 4 temas buenos los hay, ("Even The Score", "Lookin For Trouble", "5035" y "Shot Down") "Head On" es el peor de ellos con diferencia, del "Get It On Credit" solo se salvan las dos que luego irían a parar al "Livin In Fiction" de Fast Forward, y con "Girls Night Out" parece que levantan cabeza aunque previo peaje de sonar digamos mas comercial, ya el del 85 ni lo comento por que cuando se graba únicamente por exigencias del contrato sale lo que sale...