1. Rose Of Sharon
2. Day Of The Planets
3. Howlin’ At The Moon
4. Rainbow Cover
5. Justified (with Keb’ Mo’ & Robert Randolph)
6. Breath Of Me (with ZZ Ward)
7. High Heels And Throwing Things (with Warren Haynes)
8. Cause Of War
9. So Long 4 U (with Sonny Landreth)
10. Same Train
11. Stone Cold Heaven (with Tyler Bryant)
The five-time Grammy nominee describes the 11-song set as “one of the top recordings I’ve ever done” — a staggering observation considering his extensive discography, which embraces more than 35 albums under his own name and with his various bands. There’s also Ford’s session and sideman work, which includes hundreds of concert appearances and albums by Bonnie Raitt, Barbara Streisand, Charlie Musselwhite, KISS, Ruthie Foster, Jimmy Witherspoon and Rickie Lee Jones.
Into The Sun, which follows last year’s critically acclaimed A Day In Nashville and 2013’s Bringing It Back Home, explores the breadth of Ford’s sophisticated, visionary writing and playing, creating a new chapter in his brilliant musical history. The album features a coterie of guests: Allman Brothers guitarist and Gov’t Mule frontman Warren Haynes on “High Heels And Throwing Things,” slide guitar guru Sonny Landreth on “So Long 4 U,” Americana and blues icon Keb’ Mo’ and pedal steel wizard Robert Randolph on “Justified,” vocal sensation ZZ Ward on “Breath Of Me,” and gritty Southern rock newcomer Tyler Bryant on “Stone Cold Heaven.” Niko Bolas, whose credits include Neil Young, John Mayer and Keith Richards, engineered.
“The album is really upbeat,” Ford relates. “It has a positive vibe to it — a good time feel. There are a lot of different rhythms and colors and the way the instruments are used is really different on this. It makes me very happy to have something so diverse.”
Although Ford’s recent releases have been hailed as returns to his musical roots — which go back to his discovery of blues as a teenager in the 1960s – Into The Sun is a clear departure, using tradition as a springboard to incorporate his timeless vocabulary of jazz, pop, blues and rock into a modern framework for his poetic lyrics and the most graceful, emotionally nuanced and melodic vocal performances of his career.
“This album is obviously of these times,” Ford says. “And the rule during the recording process was to have no lid on things. I’ve worked very hard to master my craft as a musician and a songwriter, but other than relying on my strengths in those areas, I made sure there was room for new ideas and everything my collaborators brought to the music. When you’re open to different concepts and approaches, the most beautiful things can happen.”
All of the music and most of the lyrics from Into The Sun came directly from Ford, but he also collaborated with ZZ Ward on “Breath Of Me” and enlisted the enigmatic Kyle Swan, whose own recordings liberally mix images and styles to build articulate modernist-pop tone poems. That quality reverberates in the four songs Ford co-wrote with Swan, married to the guitar giant’s own deep commitment to narrative. “Working with Kyle was part of my desire to toss up everything and see what might happen, to get a fresh perspective,” says Ford.
“Justified” is a sheer gas with Keb’ Mo’ and Ford trading tongue-in-cheek vocal lines as Randolph adds soaring pedal steel punctuation over Jim Cox’s purposefully wobbly honky tonk piano.
Into The Sun was recorded by Bolas, a collaborator of Ford’s since his all-instrumental 1997 album Tiger Walk. “Niko is simply the best tracking engineer I’ve ever encountered,” says Ford. “He gets great sounds instantly.” All the better to capture Ford’s glorious guitar tones, this time derived from four of his go-to instruments: a pair of Gibson SG’s from 1963 and 1964, his beloved 1960 Telecaster and his Gibson B-25 acoustic. As he’s done on every album he’s made since 1983, Ford used a Dumble Overdrive Special amplifier.
“For me,” Ford says, “it’s all about the art. If you work hard at something you’re going to get better. I honestly think I reached a point with my writing on Into The Sun where I could just go with the flow and bring some of the best songs I’ve ever created to life.”
Ford already has an impressive number of shows lined up to support the album, both in America and overseas. In addition to a lengthy list of tour dates, another notable upcoming appearance will be Robben Ford’s Traveling Dojo Guitar Camp at the elegantly rustic Full Moon Resort in Big Indian, NY in the Catskill Forest Preserve (about 30 miles west of Woodstock) from August 31-September 4, 2015. Ford will host guitar enthusiasts and guitarists of all skill levels for this once in a lifetime opportunity.
In addition to his robust profile as a world-class musician, Ford is a highly sought-after educator with a series of acclaimed and groundbreaking interactive videos presented on a variety of formats including disks, downloads and mobile apps. This Traveling Dojo Guitar Camp will include master classes, one-on-one sessions, landmark live performances with sit-in opportunities, and all-inclusive meal options and lodging accommodations. Ford will be joined by special guest guitar virtuoso John Jorgenson; as well as Ford’s ace rhythm section (Brian Allen on bass and Wes Little on drums), who will conduct master classes on groove, time, and pocket; and Ford’s friend and trusted guitar tech, Rick Wheeler, a jazz virtuoso, will also conduct sessions on jazz guitar. One of the most thrilling aspects of the Traveling Dojo Guitar Camp will be hearing these complimentary talents make music together. A 10% discount off camp registrations is available through February 14. To get more details on the camp and/or to register, visit: http://www.robbenfordguitarcamp.com/